Mike sibley drawing from line to life download




















The adjacent drawing defines the edge. Printing is not so much an art as a frustration! Later I understood the inherent limitations of printing. Offset-litho uses a pattern of dots, so four adjacent round dots will always possess a white patch in the centre where they meet.

Printing, therefore, is a compromise between what you want it to look like, and what the technology can accomplish. I like the results on Arches watercolour paper, hot press, and on Canson Infinity printmaking rag paper museum quality. Arches and Canson are excellent and well-respected papers, but are they as smooth as Mellotex?

Ivorex morphed into Mellotex, and Mellotex was exclusively available as an archival quality printing paper. Now that Mellotex is deceased, we have Conqueror Diamond White — also an acid-free, archival, plate-finish paper for the printing industry… so it would be an ideal choice for offset-litho printing.

Finding a bright white paper, in my experience, is not easy. It claims to be bright white and to generate high contrast. However, it might give a visually perfect result — not exactly the same as your original but presenting its best qualities.

Personally, I aim at producing a pleasing and saleable print rather than trying to faithfully reproduce every aspect of the original drawing. You have to bear in mind that only you, and not your potential purchasers, have seen the original drawing. The coatings are pH neutral, acid free and are specially-designed to work with dye and pigment inks. Shelf life is a year from the date of purchase. Because the bleed of inkjet printing on uncoated paper reduces contrast and sharpness, the results are usually unacceptable.

Coating paper with an inkjet receiving layer solves the problem. When I changed my Printer, the new company experimented with 4-colour printing, believing they would reproduce finer detail. As a result, I have one print with an overall pale blue colour-cast and another with a sepia cast.

Nothing we tried could solve that problem. Instead of mixing colours to obtain greys, this system uses a black and two grey cartridges.

Switch the colours off and colour-casts are banished! Previously, with offset-litho printing we used Duotone printing. That uses two or the four 4-colour plates: we used black ink for one and a warm grey for the other. The result was excellent, within the bounds of offset limitations. That worked even better! That, and opting to print using only blacks and greys, guarantees there cannot be a colour-cast present. Now experiment with the opacity until you achieve a grey print with a touch of warmth from the sepia overlay.

That should give you the ultimate in control over the appearance. The printer who produced the Ducks Unlimited prints last year did a great job but his press is meant for large volume runs. A run of 10 would be cost prohibitive. Were the Ducks Unlimited prints offset-litho? The greatest proportion of the charge for an offset press is for the machine set-up time; in comparison, the cost of materials and running time are almost negligible.

So short print runs are always very expensive per print. That was over ten years ago but it paid for itself with the first 20 prints produced. Offset-litho is cheaper per print but the entire edition has to be produced in a single run, to avoid repeated additional expensive set-up times. However, there is the initial cost of paper stock, so if your printer can viably produce a run of just 10 prints, it sounds like a good deal.

When your prints sell — they will! I know your Intermediate and especially the Advanced courses changed my approach to art. Learn to draw in an online private classroom taught by the author of the lessons in this topic. Receive professional guidance and ongoing feedback on completed assignments. The author of this topic may choose to organize individual lessons into books that serve as lesson plans for self-directed learners, home-schooling families, art educators, and Drawspace classrooms.

This beginner-level, course-in-a-book is designed for self-directed learners and intended to be worked through in order from beginning to end.

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